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The key is to link up a singer’s already incredible ear with what they see on the page — and, use a more robust knowledge of harmony to anticipate what comes next. Learning key signatures, intervals, scales, chord progressions, and function help singers be one step ahead. And, become the kind of colleagues that get hired back again and again.

Alongside the environmental sounds of forest streams, crickets, and birdsong, Yoshimura recorded an incredibly unobtrusive, ambient tapestry of synthesized tones using a Yamaha DX7, TX7, and FB01, and a Roland MSQ-700 Sequencer in his home studio. Immerse yourself in this one!

That’s right — the entire minor pentatonic scale is contained within the Dorian mode. Therefore, we are free to play with the addition of the 2nd and 6th scale degrees. Not only can we layer the Dorian mode over the minor pentatonic scale, but the 2nd and 6th degrees present in the Dorian mode also belong to the major pentatonic scale, which players like the Three Kings (Albert, Freddie, and B.B.), Eric Clapton, and Jimmy Page commonly weaved into their solos.

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Some songwriters say they have received amounts equal to a ten-year advance on royalties. The money has been used to take their career in a new direction, buy new equipment or fund a tour or music video. However, not everyone may have a roster of songs that will sell for enough money to pay the electric bill. Keep in mind that once you sell your rights to your intellectual property, you waive your right to collect any future royalties it may generate.

Writers like Scheibe attacked Bach’s in-depth use of musical theology, along with his general style, accusing him of “too much art.” Writing in Bach’s defense, his friend Birnbaum countered that “God is a harmonic being.” For Bach, composing was “not an act of free creation but… imaginative research” leading to a “musical science that seeks ‘insight into the depths of the wisdom of the world’” (Wolff, Bach: The Learned Musician).

Looking to build confidence and muscle memory when playing the guitar? Look no further! These practice tips will help you gain dexterity and fluidity fast.

Faders Up II is designed for producers with some hands-on mixing experience who are looking to expand their arsenal of skills and approaches, especially when it comes to working with a larger variety of artists and clients. You should be ready and excited to get your feet wet working on a set of audio tracks provided by the course (and that you bring in yourself).

In the meantime, Lulu languished, almost complete. Three long stretches of music were fully orchestrated, and the rest clearly sketched by Berg in a manner where completion would require almost no guesswork. The unfinished version had been performed a number of times across the globe between 1937 and 1976, but Universal Edition, the composer’s publishing house, knew that Helene Berg alone was standing in the way of this great opera being fully released to the public. So, they started secretly commissioning their own final version to be completed by Viennese composer Friedrich Cerha.

Music foundations

Here’s how this looks in Ableton Live’s Arrange view. The color-coding represents my 100 percent subjective and ignorant sense of where the sections fall.

Mix buss compression is a great way to add a little bit of excitement and glue to your mix. Some people like to slap it on the master buss after they have mixed it (Ryan West for example, whose credits include Jay-Z, Eminem, Kid Cudi, Maroon 5, T.I., Rihanna, and Kanye West). And some engineers like to slap a little bit of compression on in the beginning and mix through it. I don’t think there is a right or wrong way when it comes to when to put it on.

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Alex is a multi-instrumentalist, composer and producer from Sydney, Australia. He founded the post-rock band sleepmakeswaves, with which he has toured Asia, America, Europe and Australia. In his spare time he writes music for short films, produces bands and subsists on altogether too much coffee. Alex is the instructor of the free Soundfly course, Live Clicks and Backing Tracks.

Chorus impact accentuators, often abbreviated to “CIAs,” is a term that’s still fairly new in this category — whether people know about it at all yet — but it keeps popping up more and more nowadays. Simply put, chorus impact accentuators are any element in a production that makes the chorus more impactful and powerful. That can be a reversed crash cymbal sample that flares up and preps our ears for a drop, or even a half a measure of complete silence leading up to the chorus, making its arrival all the more epic.