All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested in diving deep into a production-related topic like Songwriting for Producers, Advanced Mix Techniques, or Intro to Making Music in Logic Pro X, or just to work with a Soundfly Mentor directly to achieve a musical goal specific to you, we can help you get there!
The story behind this obscure mid ’90s musician is almost as good as the music. Brian Shimkowitz, a blogger at the time, found Ata Kak’s cassette at a flea market in Cape Coast, Ghana in 2002. “You may never hear anything like this elsewhere,” he declared in his very first blog post. “No one I know in Ghana listens to this frenetic left-field rap madness.”
It wasn’t long before I realized that, if I’m being very honest, all of these playlists are more or less the same. They’re all full of instrumental music (probably because they’re trying to be “calming”) and while the songs aren’t necessarily the same, to the untrained pup ear, they might as well be. There’s not a lot of variation, and if I were a dog, I’d get pretty bored with this mix too. Which might be the point — to just put your pup in a state of relaxation so they can drift off to dreamland.
Nea gps grant
Her self-produced artist project under the same name has been described as “blissful bedroom synth pop” which she creates in her adopted home of Brooklyn, New York. With St. Vincent-worthy guitar riffs that glide over pulsing ’80s drum beats, the indie-pop powerhouse has earned rave reviews from the likes of Billboard, Village Voice, and BuzzFeed. Sulene is a composer for multiple music houses including Marmoset and Squeak E Clean, she’s endorsed by Fender and Jim Dunlop, and her solo music is published through Rough Trade Publishing. Sulene has a degree in film scoring from Berklee College of Music.
Me: I’m a songwriter, and I also blog and teach private music lessons.
Some ideas come in like a flash and then disappear so fast that I don’t have a chance to engage with them; and other ideas stick around through thick and thin. The latter are the ones that tend to make it onto records. I’d been kicking around “In the 1970s” for about five years before I finally decided to bring it in to the band. Also I am very, very critical of myself (hooray!); not just with music, but with all things. It helps, most of the time!
So that’s my answer to that question. I get inspired every day because I’m always looking for stories, characters, experiences, and narratives to write about.
This scene, where Marissa shoots Trey (I never watched The OC but I’m getting this all from the YouTube description), was where a lot of people were introduced to the artistry of Imogen Heap. Her song “Hide and Seek” stands alone for the British singer, and in this clip, where one character is killing another by choking him, the gunshot by Marissa is justified to the viewers by Heap’s line, “It’s all for the best.”
Lil rap names
With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.
The first two lines are matched with the same repeated musical phrase and end rhyme, and the second two lines have a new rhyme and a new melodic phrase.
With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Beginner Harmonic Theory course directly from our students.
Frances Katz began her career writing about MTV and Napster. Now she writes about technology, music, business, and culture for a variety of publications including The Week, The Atlantic, Paste, The New York Times, Ploughshares, and others. She lives in Atlanta, but you can keep up with her on Twitter.
I was born in Amsterdam but raised in Ibiza. I studied music theory and guitar from a young age but suffered from terrible stage fright at my first-ever performance and decided to quit shortly after. I was that kid at school that always had his earphones on listening to music rather than talking to other students. In my early teens, I became obsessed with DJing, and by the time I was 13, I had saved up enough money doing odd jobs for our neighbors to be able to buy my first pair of belt drive “Acoustic Control” turntables. DJing became an obsession and it was my re-entry into music, and for some strange reason, I no longer had stage fright.